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It Came from the Blog

Madhouse

by Lee Broughton

UK correspondent Lee Broughton returns with a review of Vincent Price’s final film for American-International Pictures. Behind-the-scenes tussles amongst its producers and a series of hasty re-writes found director Jim Clark delivering a film that employed the aesthetics of gothic horror alongside slasher film tropes in a sometimes slightly incongruent manner. The results may be…

The Bubble   — 3-D restored uncut

by Glenn Erickson

The Bubble is back, new but somewhat the same: the 3-D Archive restores an original cut, extending the running time by 21 minutes. Arch Oboler’s 1966 feature introduced the impressive 3-D system called Space-Vision, which is still the main attraction. Michael Cole and Deborah Wally endure a Sci-fi ordeal that plays out in a crazy…

A Sellers Market

by Randy Fuller

Pairing‌‌‌ ‌‌‌wine‌‌‌ ‌‌‌with‌‌‌ ‌‌‌movies!‌‌‌ ‌‌‌See‌‌‌ ‌‌‌the‌‌‌ ‌‌‌trailers‌‌‌ ‌‌‌and‌‌‌ ‌‌‌hear‌‌‌ ‌‌‌the‌‌‌ ‌‌‌fascinating‌‌‌ ‌‌‌commentary‌‌‌ ‌‌‌for‌‌‌ ‌‌‌these‌‌‌ movies‌,‌‌ ‌‌‌and‌‌‌ ‌‌‌many‌‌‌ ‌‌‌more‌,‌‌ ‌‌‌at‌‌‌ ‌‌‌Trailers‌‌‌ ‌‌‌From‌‌‌ ‌‌‌Hell.‌‌‌ ‌This week, it’s Peter Sellers time, so the wine pairings had better be dry. From 1968, I Love You Alice B Toklas was a rom-com aimed at a young audience. Sellers plays a…

Threads   — 4K

by Glenn Erickson

Back in 1984, England was terrorized by this special TV event. The apocalypse begins with trouble in Iraq. Maybe the last thing we need to see now is something this unsettling … yet Severin’s atom-age restoration gives this 1980s Cold War event movie a polish we can hardly believe. Besides being yet another deluxe Severin…

Flight   — 4K

by Glenn Erickson

Here’s a picture from a decade ago that holds up well. It’s another accomplished performance from Denzel Washington, who showed nary a stumble in at least twenty good movies. His talented, intuitive pilot is Handed a crash emergency with no hope for survival, he averts total disaster through pure talent and intuition. But the reveal…

Macao

by Glenn Erickson

Robert Mitchum and Jane Russell light up the Portuguese colony, but on the studio backlot: mogul Howard Hughes hired the great Josef von Sternberg to direct, and then had three other directors reshoot half of the movie. It’s another promising RKO thriller compromised by crazy production practices. The stars still shine, and the WAC gives…