Larry Karaszewski on “Medium Cool”
Aug 13, 2012
Trailer 774 of 895
Combining electrifying cinema-verite documentary footage shot during actual events (including the riots at the 1968 Democratic National Convention in Chicago) with a more conventional story featuring actors, director-cameraman Haskell Wexler tried to illuminate the splintering of the American psyche at the height of the war in Vietnam. The resultant film, incongruously distributed by Gulf + Western's Paramount Pictures, both exasperates and astonishes. Some felt it trivialized serious issues, others applauded its hand-held snapshot of a tumultuous time. Originally rated what Wexler labled a "political X" by the MPAA, later downgraded to an R.
Joe on Game of Death
05/24/2013
There's a fascinating essay on the complexities of this film in The American Reader by Tony Tulathimutte which can be accessed here: http://theamericanreader. om/the-curses-the-fates-the-races-the-fakes-the-faces-the-names-of-the-game-of-death-or-the-game-of-death/
Victor Jones on Invasion of the Bee Girls
05/24/2013
I first heard of this movie my first semester in college when my French instructor used her having seen it on TV the previous weekend to form an example sentence. I think I probably saw it on the same show a year or two later (although not uncut) and agreeing it was pretty good for an early '70s low-budget sci-fi movie, certainly a step above something like Track of the Moon Beast or The Blood Waters of Dr...
Phil on Invasion of the Bee Girls
05/24/2013
The link to the full film doesn't work. But this flick was recently on Netflix Instant, and may be...
Victor Jones on Poison Ivy
05/22/2013
I had the fortune of seeing Poison Ivy in the theatre (albeit a second-run dollar theatre) during its original release. I think I saw a trailer for it at a showing of Bill Duke's Deep Cover, and I think Poison Ivy only played for a week first-run...
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